Archive for the ‘Our Guest Editors’ Category

An Interview with Nina Corwin

Wednesday, January 16th, 2013

Nina Corwin. Photo courtesy of Nina Corwin.

Poet, editor, literary curator, and psychotherapist are just some of Nina Corwin’s identities. She first became involved in Fifth Wednesday Journal (FWJ) in 2007, when the journal was just starting. “I agreed to edit one issue because I was afraid to get in over my head,” she admits. “I had to be careful since I have a tendency to get overcommitted.” After serving as the guest poetry editor of the journal’s inaugural issue, she started helping host FWJ events before returning as the guest poetry editor for the fourth issue. Nina is currently an advisory editor and still helps host FWJ readings. She has become an integral part of the FWJ team.

When editing the first issue, she and Vern Miller, the founder and publisher of FWJ, reckoned that having different guest editors for each issue would prevent one stylistic bias from overtaking the journal. She also mentions that having several readers screen submissions ensures that one reader’s aesthetic isn’t “weeding out” pieces that are truly good. As for her own literary preferences when editing FWJ, she says, “I was really interested in bringing in more of what some people call ‘experimental’ poets, what others might call ‘innovative’ poets.”

Creating a stylistically balanced journal is just one of the challenges editors face. Publishing a journal featuring both emerging and established writers is important because it introduces new talent to the literary world while attracting recognition from the literary world. Finding this range of writers, however, is difficult: “When a journal starts and has no reputation, some of the highest quality writers aren’t going to submit to a journal that hasn’t proved itself,” she says. Fortunately, Nina is great at connecting people and has helped draw in talented writers to FWJ. She is also very active in the Chicago poetry scene, which she describes as “incredibly and wonderfully diverse,” and she often curates poetry readings. She credits her days of waitressing as something that helped develop her interest in curating; she enjoyed putting together a pleasing meal for others and sees curating as a kind of extension of that: “[When you are] curating, hosting, you are welcoming authors and lovers of writing. You are serving both of those groups, and you are presenting—creating—a wonderful meal of literature.”

Sharing work and talking about it play an important part in the literary community, Nina says. While she relishes her role in bringing together readers and writers at readings, she also loves what happens in writing workshops. “The conversation between writers that begins,” she says, “is one of the vibrant, vital aspects of my experience as writer, curator, and editor. It brings me into conversation not only with my work but also [with other writers] in an exchange of ideas.” This exchange of ideas, Nina notes, can happen anywhere. She acknowledges that while social media sites are full of people sometimes connecting over silly things, they also provide a space for more serious conversations, including literary ones. “I think it’s the community aspects of those formats that draw people to want to read and to want to write. It’s great not only in fostering writers, but in engaging and motivating kids to take part in literacy.” Social media sites, she points out, play an important role in developing today’s and tomorrow’s literary community.

Nina’s focus on bringing things together—whether it’s poems in a journal, people at a reading, or writers in a workshop—reveals her own poetic inclinations. Her most recent book of poetry, The Uncertainty of Maps, brings together her diverse interests and identities in its themes: “The themes in the book—imperfection, uncertainty, and impermanence—really reflect [the] joining of my interests. It’s a convergence of my psychotherapist self, my poet self, and my aging philosopher self.” Gathering together these various aspects of her life and merging them into a larger work gives them more weight. And this, she says, is what FWJ is doing as well. “[Fifth Wednesday Journal] really creates something that is far more than the sum of its parts.”

– Interview by Annie Bruckner, Media Assistant at Fifth Wednesday Journal.

FWJ Alum Edie Meidav Nominated for Book Award

Friday, May 25th, 2012

Edie Meidav, who guest-edited fiction for our Spring 2010 issue, has been nominated for a Northern California Book Award. Congratulations, Edie!

For more information, check out the article Berkeleyside has written about Edie and her recently published novel, Lola, California:

Novelist and Northern California Book Reviewers member Steven Simmons finds that, “Meidav gets the bustling intellectual and cultural intensity of Berkeley; the oddly exhilarating anomie of Los Angeles; the physical and psychological terror at the pot farms in Mendocino; and the sensory pleasures as well as the spiritual delusions of a neo-hippie retreat … She digs deeply and painfully into the changing relationships over three decades of husband and wife, parents and children, and friends.”

Congratulations again, Edie, and best of luck to you!

Editor’s Prize and Guest Editors!

Sunday, October 9th, 2011

Fifth Wednesday is happy to announce both the winners of the 2011 Editor’s Prize as well as the guest editors for our Spring 2012 issue.

First, let’s get to the winners…

Poetry:

Winner: “Alphabet of Eels” by Norman Lock

Published in the Fall 2010 edition of Fifth Wednesday, “Alphabet of Eels” was selected by judge Natania Rosenfeld out of sixty-seven published poems. On the poem, Rosenfeld said:

Rarely is a prose poem as rhythmic as this one, and the alliteration is fine, clever, never cloying: “the sprat prized by penurious Londoners” spits itself out subtly (quite a feat); “words both rare and radiant, which to pronounce was to explicate” is at once stately and concise.

Lock has many previous publications and has published nine novels from a variety of presses.

Photography:

Winner: “The Gaze (London, 2009)” by Jessica Hubbard Marr

Chosen out of 26 published photographs, “The Gaze (London, 2009)” was selected by Jeff Curto. On his choice, Curto claimed:

“The Gaze (London, 2010)” cuts to the essence of what photography is all about. For me, photography is about the act of looking on an intense level. It’s a very specific sort of pointing at something and imploring, “Look; this is interesting.”

The photograph featured a young boy, fixing his gaze on another photograph. Marr is currently pursuing a Masters in the history and theory of photography in Sotheby’s Institute of Art in London.

Fiction:

Winner: “The Plane of Primary Focus” by Jonis Agee

Agee is the author of thirteen books, three of them named Notable Book of the Year by the New York Times. Judge Edie Meidav said of her decision:

Right when you think you know where this chatty aggrieved narrator, who holds you tight by the lapels, has her sights fixed, you find she and Agee have placed you in a completely different room. If fiction is a house, as Henry James suggests, Agee’s story would be like that of the famously nutty widow, somewhere near San Jose, California, who kept crafting additions to her house which were, essentially, architectural red herrings: closet doors opening to nothing, stairways doubling upon themselves. By Agee’s story’s end, we swallow, along with our surprising narrator, a lump in the throat.

 

And, now on to the fabulous guest editors of ’12!

Donna Seamen, Fiction

Seamen has a laundry list of impressive credentials. A senior editor of Booklist, a book critic for Chicago Public Radio, and a reviewer for the Los Angeles Times, Chicago Tribune, Kansas City Star, and more, she is well-qualified to edit the fiction for our upcoming issue. Seaman’s essays and interviews have appeared in Creative Nonfiction, F Magazine, and TriQuarterly.

Kevin Stein, Poetry

Stein is well-published, author of ten books of poetry and criticism. He also has experience editing, recently working on two anthologies of Illinois poetry. His poems and essays have appeared in numerous journals, including American Poetry Review, Boulevard, Colorado Review, The Gettysburg Review, The Kenyon Review, Poetry, and TriQuarterly.